Thursday, February 17, 2011

Current Basic ePublication Time Line

1) Write the book (3 months to 10 years, depending on the book and author)

2) Rewrite the book (because the first draft is never good, believe me)

3) Find an eEditor. 

4) Author (or agent, if represented) negotiates deal with the publisher. With print publishers, authors keep 5% of paperback and 10% of hardcover per book sold, but in ePublication, authors can get anywhere from 35 - 85% of sales price, the distributor (Amazon(Kindle), Barnes and Noble(Nook), Apple(eBook), etc. takes a cut with the ePublication company taking a cut too. 

5) eEditor edits the book - 2 - 3 weeks depending on the word count of the book. More if it's huge.

6) Publisher obtains waivers, and licensing agreements for all photographs and art -- this can take 2 to 3 months because lawyers are slow and never pick up their phones.

7) Final pages are sent to be digitized (takes about 2 weeks)

8) Publisher negotiates fee for book with the distributors, plus the marketing campaign is planned and negotiated with distributors (2 to 3 more weeks)

9) Book launch date picked (holiday season? summer release?) and viola, it's done.

All in all, if my counting serves me correct, from the time the book is given to the eEditor, it takes approximately four months for it to reach the consumer, not bad considering it takes a year for print.  an eBook can also be available on Print on Demand with Amazon, so while your book can be available on eReaders, it can also be purchased on paper. This deal should be negotiated by the ePublisher.

Hope this helps!
It'll all be out of date by next month...Believe me.

Tuesday, February 8, 2011

Untitled Poem

Monotony dulls vision
Affection festers afar
Proximity numbs sense

See her shrouded
Feel her vacant
Hear her heat
Taste the present

Before fault lines quaked porcelain face

Friday, February 4, 2011

Publishers Ripping off Authors on eBook Sales!!!

Here's an Authors Guild report regarding how publishers are ripping
off writers on ebook royalties:
E-Book Royalty Math: The Big Tilt
To mark the one-year anniversary of the Great Blackout, Amazon's week long shut down of e-commerce for nearly all of Macmillan's titles, we’re sending out a series of alerts this week and next on the state of e-books, authorship, and publishing. The first installment (“How
Apple Saved Barnes & Noble. Probably.”) discussed the outcome, one year later, of that battle. Today, we look at the e-royalty debate, which has been simmering for a while, but is likely to soon heat up as the e-book market grows.
E-book royalty rates for major trade publishers have coalesced, for the moment, at 25% of the publisher’s receipts. As we’ve pointed out previously, this is contrary to longstanding tradition in trade book
publishing, in which authors and publishers effectively split the net proceeds of book sales (that's how the industry arrived at the standard hardcover royalty rate of 15% of  list price). Among the ills of this radical pay cut is the distorting effect it has on publishers’
incentives: publishers generally do significantly better on e-book sales than they do on hardcover sales. Authors, on the other hand, always do worse.
How much better for the publisher and how much worse for the author?
Here are examples of author’s royalties compared to publisher’s gross profit (income per copy minus expenses per copy), calculated using industry-standard contract terms:
“The Help,” by Kathryn Stockett
Author’s Standard Royalty: $3.75 hardcover; $2.28 e-book. Author’s
E-Loss = -39%
Publisher’s Margin: $4.75 hardcover; $6.32 e-book. Publisher’s E-Gain = +33%
“Hell’s Corner,” by David Baldacci
Author's Standard Royalty: $4.20 hardcover; $2.63 e-book. Author’s
E-Loss = -37%
Publisher’s Margin: $5.80 hardcover; $7.37 e-book. Publisher’s E-Gain = +27%
“Unbroken,” by Laura Hillenbrand
Author’s Standard Royalty: $4.05 hardcover; $3.38 e-book. Author’s
E-Loss = -17%
Publisher’s Margin: $5.45 hardcover; $9.62 e-book. Publisher’s E-Gain = +77%
So, everything else being equal, publishers will naturally have a strong bias toward e-book sales. It certainly does wonders for cash flow: not only does the publisher net more, but the reduced royalty means that every time an e-book purchase displaces a hardcover purchase, the odds that the author’s advance will earn out -- and the
publisher will have to cut a check for royalties -- diminishes. In more ways than one, the author’s e-loss is the publisher’s e-gain.
Inertia, unfortunately, is embedded in the contractual landscape. If the publisher were to offer more equitable e-royalties in new contracts, it would ripple through much of the publisher’s catalog: most major trade publishers have thousands of contracts that require an automatic adjustment or renegotiation of e-book royalties if the
publisher starts offering better terms. (Some publishers finesse this issue when they amend older contracts, many of which allow e-royalty rates to quickly escalate to 40% of the publisher’s receipts. Amending old contracts to grant the publisher digital rights doesn’t trigger
the automatic adjustment, in the publisher's view.) Given these substantial collateral costs, publishers will continue to strongly resist changes to their e-book royalties for new books.
Resistance, in the long run, will be futile. As the e-book market continues to grow, competitive pressures will almost certainly force publishers to share e-book proceeds fairly. Authors with clout simply won’t put up with junior partner status in an increasingly important
market. New publishers are already willing to share fairly. Once one of those publishers has the capital to pay even a handful of authors meaningful advances, or a major trade publisher decides to take the plunge, the tipping point will likely be at hand.