Monday, November 22, 2010

Afloat

Ahh, the holiday season. With it comes Parent/Teacher conferences, and the week long school schedule of half days, a deluge of homework so the kids can make up for whatever work the teachers haven't gotten to yet, then a week off from school for the Thanksgiving holiday.


Gone are my writing days, for now.  All the free time I've had the past two weeks has been spent working, and trying to keep my house afloat...Though, we did run out of toilet paper and pancake syrup, I have to appreciate the fact that nobody complained. Apparently, they can tell I'm trying the best I can.




Some good news in all of this is that I got my Christmas present early, a Nook eReader. I've consequently devoured three books in five days, and I have to admit, it's pretty awesome having a library at my fingertips.


I highly recommend "Room" and "Water for Elephants." I'm in the middle of "The Forgotten Garden."  I'll let you know what I think.


Room: A Novel
Water for Elephants: A Novel
The Forgotten Garden: A Novel


I did managed to take a few hours the other day and experiment with "Shut Up," reworking it to be an adult book. It felt great to put the profanity back in... :)


Have a Happy Turkey Day!

Friday, November 12, 2010

The Chapter Nine Vortex

I'm a little worried.  I continue to write my new book.  To remind you, it's a dystopic young adult about a recovering sex slave.  She's now with the group of people who are helping implement her "escape" (so to speak) from The Corporation that runs the world.  It involves some cloak and dagger, some computer hacking, and that all very easily comes to mind.  That part is a cinch.  It reminds me of my television writing days.  However, there has been a brief "break" in the action, if you will, while the hacker preps the technology, the thief's back story gets introduced, and the sexual tension between the heroine and our male lead gets developed.  
The book has gone from an action adventure, into a character/romance novel and the timing has slowed down, the pace, the tone, the whole kit and caboodle. But, all this development is necessary, I feel, so that when we launch into The Heist, as I'm calling it in my head, we know the people involved.  We get them.  We care.
But, the pacing still bothers me....Is it okay to slow it down? Have I "lowered the stakes" too far so that I can rocket them through the roof?  Will it be too jarring?
I guess I'm going to truck along and continue on my designated path, and when the draft is all done, I'll have a better idea on what to do.
It reminds me of when I wrote my first book with my former partner.  All action, all snappy dialogue, all fun, fun, adventure, adventure, then WHAM! Our heroine ends up boarding with a Quaker family and the pace of the book comes to a screeching halt.  It was totally necessary in order to forward the story, but perhaps it went on a little too long, perhaps it wasn't quite quick enough, and perhaps with not enough tension (though, we ended up adding tension, I wasn't ever quite sure it was enough).  And get this, it was the same chapter number that did it.
Chapter Nine.
Darn you Chapter Nine! Darn you to heck!
Anyways, I'm into Chapter Ten now, and I'm trying to find ways to build the tension so that when the action starts back up, the reader will be entirely stressed out and anxious, but I'm not 100% sure it's there yet. I guess that's why "they" say never to let anyone read your first draft.


Meh.
Onward.

Friday, November 5, 2010

Hurry Up and Slow Down!

First drafts are an interesting creature.
Writing them is a myriad of emotions too.


For me, first drafts tend to be very, very, very (too much so) fast paced.  I know where the story is going, and I know how I want to get there, so I tend to rush.  Emotions from the characters tend to be melodramatic, and come from outer space.  The action is quick and ultra sparse and lack deep internal dialogue or subtext.


I went backwards today and tried to fill in a little bit of the subtext and internal dialogue on past chapters so that when I come back for the second draft, I am not completely lost.


I also wrote a few scenes out of sequence.  I do that sometimes.  I get so impatient, and want to get to a certain scene quicker, to save me from my rushing self, I go ahead and write the scene I want to get to so I can go back to where I left off and not be so sparse.


Repeat after me: It's not a Race. It's a Novel.  It's not a Race. It's a Novel.


Not only that, dear Me, it's the FIRST DRAFT of your novel and not fit for reading by anyone but the few select of you chosen for your brutal honesty and ability to spot glaring big picture issues.


SLOW DOWN!


TAKE YOUR TIME!


Oh, and hurry up and finish before someone else publishes a book just like it, because this genre is so popular right now.


Ugh.

Wednesday, November 3, 2010

'The Nightmare,' Excerpt from my Young Adult novel, "The Line"

    I’m on a train.  Vera sits next to me.  She stirs a cup of tea with a dented spoon.  Moments before, we were at my house, saying good-bye to my family. 

Mom cries.  Dad looks pale and sick. My baby sister takes a nap on her mat on the floor.
     Vera asks them if they are sure they want to do this.  Dad says yes.  He says I’m a good little girl, and will listen well.  Mom cries louder.
     Dad says he’s lost his job, and they don’t have enough to feed me.  At least, this way, I’ll have a chance.  Vera asks, “What about the baby?” Mom bawls and scoops her up.
     “You can’t take her! I’m still breast feeding her!”
     “She’s two years old,” Vera says.  “She’d be fine.”
     “No!”
      Mom wails and runs into the other room with my baby sister.
      Dad gets down on his knees and talks to me.
      “Natalia, you will go with Vera.  Do what she says, and she’ll take care of you.”
      “I don’t want to go,” I say.
       Dad’s eyes brim over and he stands.
       Vera takes my hand and leads me outside.
       I don’t cry.
       I’m confused.
       How long will I have to stay with this lady?
       When can I come home?
       Nobody tells me, and I’m afraid to ask.
       The moment we are outside the building, Vera lets go of my hand and tells me to keep up, and that there will be no whining.
       Vera takes me on a train.
       She gives me tea, which makes me sleepy.
       When I wake up, nothing looks the same.
       The buildings are cement and gray, and not wood and brick, like at home.
       We get off the train and walk.  It smells bad.  There is trash on the streets, everywhere.  We go inside a building, there are matching tables and chairs.  People sit and eat and drink tea.
       Through the room with the tables, there is a swinging metal door with a little window. Inside that, is a big kitchen.  There is a sink with water and soap, and an old rag for scrubbing.
        I have to go to the bathroom.
        Vera shows me where to get the dirty plates, and where to put them once I have scrubbed them.  She shows me the giant dishwasher, and how to push the button, and how to take out the super hot plates and cups.  She shows me where to stack the clean dishes.
        Steam fills the kitchen and sticks to my skin.
        An old man works at the ovens and stoves.  He watches Vera talk to me out of the corner of his eye.  I can tell because when I look at him he winks at me.
        I feel a little better.
        I don’t want to wash dishes.
        I ask if I may use the bathroom, but Vera slaps me on the face and tells me never to speak.
        Vera says if I break a dish I will have to pay her, so to be careful, but not to go too slowly.
        Then she leaves.
        It’s hot.
        I’m still sleepy.
        I’m hungry.
        I have to pee.
        There is a mountain of dirty dishes to my left.
        I wash.
        The urine runs down my leg and into the drain on the floor.
           
        I sleep on a mat in the corner of the kitchen.
        I’m allowed to eat leftovers from the plates.
        The old man tries to be nice to me and gives me candy.
        Vera sees me chewing and the old man never comes back.
        A young man takes his place and never looks at me.
        Never once.
        When my clothes get too small, Vera gives me a new sack dress.
        I wear it until it falls apart, then she gives me a new one.
        Sometimes, she hands me a bucket of soapy water and a wash rag and tells me to clean myself.
        My hands are so raw my fingers are cracked around the nails, which I bite off when they get too long. And they hurt, every minute.
        I work there a long time.
        I wonder when my parents will come get me.
        They never said how long I was going to have to work here.
        One day I bleed between my legs. I’m so surprised to see it run down the inside of my thighs, I drop and break a dish.
        Vera grabs my arm and we walk a long way away.
        She takes me to a building, signs some documents and stomps out the door.
        A woman in a white dress called a nurse takes me to a long green hallway with silver double doors, hoses me off with cold water, and then makes me take a pill of some kind.
        I sleep a long time and wake up strapped to a bed on wheels.
        There’s a little hole in my belly button held together with a shiny clear strip.
        The nurse comes back and tells me I won’t be able to have babies, and that they used lasers to remove all the hair in my arm pits, legs and private parts.
        They sit me up on the table and I am supposed to watch all sorts of screens, showing me how I am to perform my new job.
        It involves men.
        There is a picture of a naked man, and how his private parts work.
        It tells me if I don’t do my job well, they will sell me someplace else, and I will never see the sun again.  That sounds terrible, but the idea of touching men all day and night makes me cry. I scream and cry and shout I won’t do it.
        I want to go home!
        Where’s Vera?
        You can’t make me do this!
        The nurse comes in and gives me a shot.
        The room spins and I pass out.
        When I wake up I am drowsy.
        The room is foggy, and I can’t see well.
        There is a man in the corner.
        I am in a small room with a bed and a lamp hanging from the ceiling.
        I’m naked.
        The man is tall, with light brown skin.
        He has a beak nose, and black circles under his eyes.
        He takes off his pants and his penis is stiff and sticks out.
        I want to scream and run away but my body won’t move.
        I want to tell him no, but my mouth won’t work.
        The room is so blurry.
        I am half awake, but mostly asleep.
        The man comes to me on the cot and opens my legs.
        He shoves his fingers inside me and tastes his fingers.
        It burns.
        I try to sit up, but can’t.
        The man is between my legs, he shoves in his penis and I open to my mouth to scream.
        Nothing comes out.
        He rams and rams.
        It burns and hurts.
        Make him stop!
        Stop!
        No words come.   
   He shakes a little, grunts, then backs away.
        There is blood on his limp penis.
        “Now, that’s what I’m talking about!” the man says.
        My body won’t move, but I can still cry.
        A nurse comes in and gives me a shot.
        I pass out again.
        The next few days it happens over and over.
        The shot.  The men.
        I can barely move.
        Eventually, the shots don’t make me so numb, in fact, I welcome them. Soon, I am able to move.
        They strap my arms down.
        I learn from the nurse that if I cooperate, I won’t get the shots at all.
        I cooperate.
        At least then, I can think, and see.
        And move.
        I stop fighting.
        They take the straps off.
        They give me my own compartment to sleep at night. There are other girls just like me.  Some of them are nice.  The Line counts us girls with a laser scanner every morning, and then assigns us appointment rooms.
        I don’t think my parents are coming for me.
        How could they? They don’t know where I am.
        Did they ever know?
        I think they abandoned me.
        They gave me away, and look where I am.
        This is their fault.
        I never want to see them again.
        Ever.
        Why would they want me now anyways?

        I perform my job ten times a day.
        Seven days a week.
        For four years.

        You do the math.

Tuesday, November 2, 2010

The Stuff of Nightmares

It's not everyday you lay out in plain English how a girl is forced into prostitution.


I am thankful I did all that prior research, so I knew what I was writing, and that I wasn't just pulling crap out of thin air.


Still, the mere fact that what I wrote is factually based makes me want to scream.


I only worked an hour today, but I am totally spent.


There's no stopping this book now.  I have to finish it. I can't leave her in that place.  I can't leave her thinking that it's normal to feel nothing.


Man, I'm a mess.


I'm glad this section is over and done (until rewrites - yikes!). It's so disturbing and so frightening and sad, I am relieved I started the book with her escape, and not her capture.


Even reliving her capture in a dream was enough to scare me to pieces.


I'm literally shaking, and now I have to pick up my kids from school.


Let it go, Daisy.
Let it go.

The Safety of Insomnia

Alright, I'm not panicking anymore.  Turns out this part time job, after behaving like a full time job for a few weeks, is now back to a part time job, and I was able to get some writing done.


I did more research today (or, yesterday, since it's past midnight), because I'm at a place in the book (Chapter 10, 25,000 words in -- yay!) where we can lay down some history, this time in the form of a dream.  For a character who brags how she never dreams, we are about to find out why she never wanted to.


I tell you, some of this research is so awful, I wish I still smoked, or had the balls to drink in the middle of the day.


Thank your lucky stars, all you white bread middle class American girls. You have no idea!


Anyways, tomorrow, I'm back on my bike (Halloween candy is staking claim to my ass), and off to write the most disturbing dream I can think of.


No wonder I have insomnia.